This post is incredibly long in the making – I started working on a St. Birgitta’s cap several years ago, when one of the people in the SCA (Coryn of the Wode) taught a class on how to make the cap.
Unfortunately, the cap wasn’t finished in class… so I took it in parts home, and then promptly forgot all about it. Then, for the February edition of the Historical Sew Monthly, the topic is “linen”, and while there are more elaborate linen items on my to-do list, this seemed like an accomplishable project given how few projects I was able to accomplish in 2018.
Horned Hennin hat version 2 in dark red cotton velvet with faux pearl and metal embellishment
A while ago I made my first horned (or heart-shaped) hennin. Recently, a friend commented about wanting to make one of her own, but as we were discussing styles, I realized that she wanted a different style than what I had in mind.
I was tickled with the idea of trying a different method (and being able to help her do the same) so decided to look a little more at this style, to try to make a new horned hennin of my own.
My friend wanted to make a “Christine de Pizan double horned hat”, which led me to images like this:
My German Renaissance Split-Brim hat with grey ostrich feathers worn with my black velveteen Gollar and my Cranach gown costume.
In mid-January the SCA barony I live in celebrated the step-up of a new Baron and Baroness, who have German personas. To recognize their elevation in a symbolic kind of way, several of us planned to add German elements to our existing costumes. As I wasn’t entirely sure if I could pull together a new German gown in time for the coronet, I decided to start with accessories. First the Gollar I already posted about, and next a new hat.