I’ve offered to teach a class for Avacal’s Winter Crown on February 15, 2019 in Beiseker, Alberta. I figured I’d share a little bit of information here in case anyone was interested. (You don’t need to be an SCA member to attend the event.)
I was really inspired by Jessica Clark’s collapsable hennin and thought it would be a very practical dressmaker hat to take to camping events or anywhere else where packing space was going to be at a premium.
From my research discussed in Dating, placing, & dressing the horned hennin, I knew that I could wear a truncated hennin with a Houppelande, a Cotehardie, and a V-neck Burgundian gown. I still need more research to see if I can find evidence wearing it with a sideless surcote.
This is a class I’ve offered for SCA Grand TUA in October 2015. I’m opting not to do printed notes, and instead am posting my “notes” for the class here, as below.
*Regular disclaimer – I’m presenting here as I’m aware of it. Any links to commercial services does not suggest you should buy from those services; they’re presented as informational only.*
Basic millinery overview
Need something on your head? In this class I’ll discuss a variety of millinery (hat-making) techniques and options, share sources, and discuss pattern-making for millinery.
With Drífa at lækjamoti
No maximum student limit
1 hour block
Digital hand-out only, no paper copy provided.
Millinery vs. dressmaker hats
When talking about hat-making, there are two distinct styles of hats – dressmaker hats, and millinery. I’ll view them as two separate things. Dressmaker hats being the kind of hats you can completely (or near-completely) construct on your sewing machine, with little underlying structure. Think of the Jorvik Hood, a goldhaube, a mop cap, or a touque. Millinery on the other hand has an underlying structure, or in itself is structured. Think of a wool felt top hat, a medieval henin, straw hat, bycocket, or a French Hood.
The underlying structure
The underlying structure, or the structure of a millinery hat can be made of several things. Some are period options, while others are modern compromises. You might compromise because of:
- Cost or availability
- Packing & transport
- Washing, cleaning, or care (especially for a hat that might be shared)
- Wearing (weight, comfort, allergies, heat, etc)
- Ease of production (speed, skill level, necessary tools, drying time, etc)
Some of the materials you can use for millinery include:
- Buckram (water-moldable or flat, unsized buckram)
- Wool felt
- Plant material (reeds, willow, straw, grasses, sinamay, etc)
- Cardboard, pasteboard (paper or parchment layered together with glue)
- Boning (whalebone/balleen, or modern boning alternatives)
- Additional layers of fabric for stiffening
While many authors, museums, and publishers describe the content of fabrics in extant soft, dressmaker hats, they frequently don’t describe the inner (unseen) structure supporting millinery hats.
This is an area I’m still working on learning more about.
13th century – The Museo de Burgos has a pillbox-style hat from 1255-1275 which is “embroidered with pearls, coral and trimmed in gold, sapphires and garnets”. The museum does not indicate any stiffening used in the hat, or what the underlying fabric is, though the extensive embroidery may provide sufficient stiffening to an already firm fabric. View this hat here: http://www.museodeburgos.com
1350 – a blue felt hat found in the Little Sampford Church in Essex has a formed, domed crown made of “blue felted wool, without any seams” and a sewn-on brim “covered in cream colored tabby woven silk in four sections, and gold wire. Ivory colored tabby woven silk lines the the brim and the inside of the hat. The brim has a red satin woven silk binding along the edge, and a cream silk and silver gilt cord.” Read more about this hat and see Marc Carlson’s pattern here: http://www.personal.utulsa.edu/
1536 – the Waterford Treasures Museum has a cap of maintenance given to the mayor of the city in 1536. The hat is described as: “The cap is made from red velvet, possibly imported from Italy, that is embroidered with Tudor Roses and marguerites. It measures circa 116 mm in height by 397 mm in diameter and contains a strip of whale balleen near the top of the hat for additional support.” View the hat here: http://irisharchaeology.ie/
1545 – from the shipwreck of the Mary Rose, three nearly-complete wool hats were recovered. Each has a double brim, and two have a “square silk lining and had a silk band between the brims”. View one of these hats here: http://www.maryrose.org/
1560-1600 – A hat mentioned in Janet Arnold’s Patterns of Fashion 3 is described as a high crowned hat with “felt base and silk pile” with an interlining of coarsely woven linen, and a black silk lining. The silk pile was worked by “six-strand plied silk” thread “worked in even rows round the crown”. Another hat, from c1600 is described as being made “of felt covered with black velvet… embroidered with couched gold metal thread”. The hat was “moulded from thick felt” and the crest was “pinched together and stitched through at the base over the top of the head with white linen thread”.
Late 16-17th century – the Museum of London has a wool felt “workman’s” hat on display. This appears to be not much more than a cone hood with a folded up brim secured with a pin. View this hat here: http://www.museumoflondonprints.com
There are a number of different patterns available, both commercially, online, and you can draft your own.
No pattern needed
Moulded hats, such as straws, wool felt, and similar hats don’t require a pattern, but rather require the material, tools for blocking, and steam and/or sizing.
Bloggers & costumers
Lots of costumers keep blogs and websites where they share their patterns. Some of these you’ll need to re-size for yourself, or use their examples to draft your own patterns. Review them and analyze if you think they meet your personal criteria for period authenticity.
- German goldhaube – a cap (a dressmaker’s hat) made of gold silk embellished with pearls and gilt thread – http://germanrenaissance.net/
- French Hood – a millinery hat using buckram and millinery wire http://www.elizabethancostume.net/ The author writes that the “original French Hoods were made of a pasteboard or glue-stiffened fabric base, with a wire or perhaps a metal billiment of some kind sewn around the edges to help the hood keep its shape, and covered in a variety of fabrics” and that the “materials necessary for making a French Hood are in all likelihood very similar to those originally used”.
- Truncated hennin – Cerridwen Creations shares her work-in-progress photos and challenges making a hennin using sized buckram. http://cerridwencreations.weebly.com/
- 15th Century horned headdress /hennin – Work in progress photos to make a horned headdress along with period inspiration. https://dawnsdressdiary.wordpress.com
- 14-15th Century Norse pillbox hat – Marc Carlson shows patterns from extant garments on http://www.personal.utulsa.edu/ I made my own here: https://dawnsdressdiary.wordpress.com/
- Margo Anderson offers the Elizabethan Wardrobe Accessories with patterns and instructions for men’s and women’s soft dressmaker-style hats and structured millinery-style hats. Get the pattern here: http://margospatterns.com/Products/ElizAccessrs.html
- The Tudor Tailor
has patterns for women’s headwear including a gabled hood and a French hood. Get the patterns here: http://www.tudortailor.com/womens-patterns/
- Lynn McMasters has a wide variety of patterns for a variety of ages and cultures within and after the periods covered by the SCA. She also sells some supplies for hat-making. Get the patterns here: http://www.lynnmcmasters.com/patterns.html Additionally, one of the major millinery supply places carries her patterns as well: http://www.hatsupply.com/historicalPatterns.htm
- Butterick patterns frequently have hats and headwear patterns with costume patterns, as well as small accessory collections. I don’t see any in the current catalogue: http://butterick.mccall.com/ but check their out-of-print/print-on-demand services. Simplicity patterns also have a few hats in their current catalogue, bundled with costumes: http://www.simplicity.com/
- Vogue patterns have some hat patterns for vintage and modern styles which could be adapted if desired. http://voguepatterns.mccall.com/ McCall’s patterns have similar options: http://mccallpattern.mccall.com/
- Patterns of Time offer hat/headwear from a number of different designers/patternmakers. See the collection here: http://www.patternsoftime.com Styles include those for our time period, and post-period.
Draft your own
Hat patterns can actually be extremely easy to draft, since frequently you’re looking at only fitting one small area of your head.
In the workshop I’ll discuss basic pattern drafting – starting with a pillbox pattern, and adapting it for a hennin (tapered as it rises from the head), and a fillet (flared as it rises up from the head).
Techniques to discuss in class
Padding & domet
Shaping wool felt and straw hoods
- LGM Millinery – Etsy seller who sells hoods, ribbons, and other supplies. Mostly sells in lots of a dozen from California. https://www.etsy.com/shop/LGMMillinerySupplies
- Jedrzejko – Etsy seller with wool, straw, and Visco hoods from Poland. https://www.etsy.com/shop/Jedrzejko
- Hats by Leko – a wide variety of supplies including tools such as blocks and materials including felts, straws, and other materials. http://www.hatsupply.com/
- Judith M Millinery Supply House – another supplier offering a variety of tools and materials. https://www.judithm.com/
- Additional supply list – for more suppliers of tools, materials, and embellishments. https://dawnsdressdiary.wordpress.com/
Hopefully you’ll be inspired to make interesting hats! If you’re interested to see what else I write about insofar as millinery is concerned, follow my “Millinery” category. I show works-in-progress, for both historically influenced, modern, and vintage-inspired hats, as well as class work and museum exhibits featuring interesting headwear. If you’re on Pinterest, join me on my board specifically for hats & headwear.
Looking for inspiration? I love looking at Kat’s Hats – a re-enactor who makes beautiful hats inspired by paintings, effigies, and more, along with her client’s wishes. http://www.kats-hats.co.uk/
Leave any questions you might have in the comments below, and I’ll do what I can to answer them!
I’ve been thinking of a Tudor -era costume for a while, and like the 1480’s Italian… I’ve started with the headwear! (It’s probably note-worthy that my head is quite a bit bigger than my foam headform… so it looks a bit different on me.)
Although when I started the headwear, I didn’t have a dress designed, I have a number of fabrics I’ve collected for this project, and I imagine a very gothic style… the fabrics are silver/grey, black, blue, and red. Not surprising, these are the same colours I’ve based a lot of my costumes on so far…
When the Tudor Tailor had a bunch of their patterns on sale, I purchased the Hoods pattern (along with a few others). This was unfortunately RIGHT before they completely re-did their Hoods pattern, but I still like the original and wanted to make up a French Hood. (I think the Gabled hoods look neat, but the French Hood is so much more my style, and I think would look more attractive on me (and my wide face).
I cut the pattern pieces for the base and the crescent from two layers of millinery buckram, wired both with millinery wire (using buttonhole twist) and mulled both with thin cotton batting (I don’t have domet/domette, and in the past have used the batting successfully.
I raided my small silks boxes (doesn’t everyone have a stash of small pieces of silk? LOL) and pulled a crisp red (probably habotai in lue of taffeta) silk for the crescent, and a black silk satin for the base. I realize that the base should have probably been lined in linen, but the fit was so nice, that I figured I’d stick with the silk so that it would be kind to my hair (and so that the ends by my cheeks would look nice).
I’ve had a lot of traffic to this blog from people who have visited my posts about the Millinery (hat-making) classes that I took in the past.
For those of you who want ‘just a taste’ of hat-making, I thought I’d share this class coming in April 2014 where you can make your own fascinators over two evenings.
Fascinators – An Introduction
2 Classes – Fee: $149
“Explore the art of millinery by making trendy fascinators to wear for spring. Make two fascinators from scratch with sinamay and buckram, decorated with feathers and flowers. Whether you are an amateur or costume designer, this course is a fun and creative night out.”
Instructor: Carol Van Ee Branner
April 15 & 17
6:30 p.m. – 9:30 p.m.
Viscount Bennett Centre
2519 Richmond Road S.W.
Visit: http://www.chinooklearningservices.com/ContEd/AdultCourses/Fascinators-An-Introduction.html for more information and to register.
Note – I have taken a class with this instructor before, but I am not associated with her or Chinook Learning Services in any other way.
To inspire you – scroll through the gallery of fascinators I’ve shown off over the past few years in my blog below!