While most of my outerwear garments are for my Viking Age costume kit – I realized that this coat could really be for any early period that I might want to do, since the shapes are so similar across different styles.
Once I was finished with my term as Montengarde’s Emerald Rose, I wanted to shift my SCA wardrobe away from so much green, and back to my typical more goth aesthetic. I acquired some black wool-blend twill fabric, some red and black wool-blend twill fabric, and some black and grey wool-blend fabric (with an interesting basket-type of weave) from my former teacher and despite the partially synthetic content, I decided to start there.
Orange loose sheath dress with ‘sleeves’ and a v-neck with a teal ‘coat’.
I mentioned in my previous post that I was going to make an Egyptian costume for the Historical Sew Monthly challenge for September 2017. I just barely made the deadline, finishing off the costume on September 30, even though it took me a few more days to get photos and write up a blog post.
In summer 2016 I hosted a supply swap – with the plan for it to be part of a two-event challenge in the SCA, however there wasn’t enough participation so I had to cancel the second part. However, I did come away with some lovely wool plaid fabric from Asny Hafdansdoitter, a SCA player from another kingdom.
The yardage is a medium charcoal grey, with light grey, navy blue, and burgundy plaid. The only challenge for me – it was only 170cm long by 140cm wide – much too small for most of the garments I’d want to make for myself.
Selfie in my new red and gold Italian over dress (worn over mundane clothing).
For Caterina’s elevation nearly a year ago I wanted to make a Giornea– and overdress for the Italian Renaissance costume not unlike my previous Giornea. However, this time I wanted to try a different style, with an open front rather than open sides. I thought that this would be flattering, and would nicely show off the green silk under dress (Gamurra).
Laying out the pieces for the overdress
I drafted the pattern based off my new Gamurra draft for the bodice, and used simple trapezoids for the skirt. No drafting there…
I did a mock up in a gorgeous gold and red brocade home decorating fabric. I bought this at the Grandmother’s Fabric Sale a while ago, and adored it, but it was only about 2 meters… I didn’t think I’d be able to find anything to make out of it…. but this worked out reasonably well. I wish I had more fullness for the skirt – but I hoped it would still be a wearable mock-up / toile. (I usually like to do mock-ups out of fabric that would make a wearable garment if the mock-up works out…)
My German Renaissance Split-Brim hat with grey ostrich feathers worn with my black velveteen Gollar and my Cranach gown costume.
In mid-January the SCA barony I live in celebrated the step-up of a new Baron and Baroness, who have German personas. To recognize their elevation in a symbolic kind of way, several of us planned to add German elements to our existing costumes. As I wasn’t entirely sure if I could pull together a new German gown in time for the coronet, I decided to start with accessories. First the Gollar I already posted about, and next a new hat.