In my earlier post about Dyeing with Indigo, I showed off some of the photos and videos of the handspun wool yarn dyeing and the results. Now I’ll show off fabric instead!
Our hostess had some resist block-printed silk to test out (mostly testing out the historically-informed resist rather than the dye itself) while one guest brought a strip of cotton to dye for a trim, another brought some silk from a salvaged wedding dress, while I brought some linen, as did another guest.
As I mentioned in an earlier post about the madder pot, I started my linen in the madder vat, but didn’t like the pale coral colour, so I popped it into the indigo vat.
Assorted tables of fabric at the Helsinki EuroKangas
A few days ago I was chatting with a friend online about fabrics… I mentioned some wool gauze I picked up in Iceland a few years ago, and how I just wanted to pet it. There’s also been times when I’ve bought meters and meters of silk, and just piled it around my on the couch like a little fort of luxury.
I don’t feel the same way about cotton.. or linen… and certainly not polyester. (Don’t even get me started about rayon…) Continue reading →
Complete “celebration” Italian outfit including the teal figured velvet overdress
For Caterina’s elevation I wanted to make a Giornea – and overdress for the Italian Renaissance costume not unlike my previous Giornea. However, this time I wanted to try a different style, with an open front rather than open sides. I thought that this would be flattering, and would nicely show off the under dress (Gamurra).
I started by making a “muslin” or test garment/ mock up. I used a red and gold scroll home decorating fabric, which I’ll blog about soon. (Click the 1480s Florence tag to see all of my Italian garments.)
Completed bodice and skirt in green silk for the Italian “celebration” outfit
For Caterina’s elevation, I originally was going to do a later-period Italian Renaissance gown, but the fabrics offered just didn’t seem to lend themselves nicely to the period and my figure. I felt that the figured velvet would just be too bulky for all of the gathering and fullness in the later period fashions, and so I ended up opting to go back to the earlier Renaissance period that I’ve explored before and found flattering.
Concept sketch for the matcha-green silk dress and the teal figured velvet over dress
With this…. I’ve started using the 1480s tag as well for these posts, and switched from 16th Century to 15th Century. I’ll still use the Caterina’s Elevation tag however if you want to follow this specific project.