I got on a bit of a roll, making mundane clothing for every-day wear… the black and white pinstripe pencil skirt, the printed plaid pencil skirt, the printed plaid circle skirt, and finally this purple, grey, white, and black plaid circle skirt.
The other day I posted my Bias printed circle skirt post – well there was a little bit of material left over from cutting the skirt, so I also cut a pencil skirt from the same fabric! This is pretty much exactly the same as the black and white pinstripe pencil skirt I posted earlier, but with a sewn-on elastic waistband, instead of a fold over elastic waist.
While I was cleaning up in my sewing space not long ago, I started two bags of fabrics for mundane, ordinary, everyday clothing (instead of costumes). One bag was labeled “pencil skirts” and the other “circle skirts”. My hope was to cut out a few skirts at one time, and then sew them up, assembly-line style.
While I was taking photos of some of my own creations, I also wanted to take a photo of one of my favorite vintage hats – something my father found for me years and years ago. He knew how much I loved hats, and brought me several over the years (generally all well-taken care of and in great shape!)
This one is a black velvet Juliet cap – there are no clips or combs to hold it on – just the shape of the buckram and wire under the velvet. However, I did find an indentation in the velvet left from a bobby-pin, so perhaps the previous owner wore it out and about in more windy weather than I do!
This hat has a wired zig-zag of tube velvet accented with pearl studs (they’re flat-bottomed, not round beads) and super-large hole netting. The netting is really old so it’s super soft too, not scratchy at all.
I have a buckram base that I made during my millinery classes to try to replicate something like this… one of these days! It’s wired and ready to go – now just to select the material (I’m definitely thinking velvet, but then what colour…?) and find the time to actually work on it!
Since I have a black one – what colour do you think I should consider? I have red, several shades of blue, green, bronze/copper, and possibly a few others in my ‘stash’. Let me know what you think in the comments below!
As I was making this hat, I really couldn’t help but see it having a vague ‘shoe’ shape. It doesn’t LOOK like a shoe, but it has the curve almost of a high heel.. so I keep thinking of it as the ‘shoe hat’.
This hat was made very similar to the Purple Velvet faux-vintage hat I made at the same time – in fact the reason I made one was because of the other. I originally wanted to make this hat, but didn’t know if my buckram could handle the shape, and cut out two layers of buckram with the band shape.
When I went to stitch the two together, I realized that they were going to shift a lot, and that once I wired the buckram, it would be a lot more firm than just the fabric by itself, so I found myself with two bands instead of just one!
Again with this hat I had the shape more in mind than the fabric when I was designing the pattern. Once I had the buckram form, I needed to figure out what to cover it with. The basic shape sort of suggested 1940s/50s air hostess or vaguely military, but since I wasn’t interested in exagerating that (or making a costume hat) I wanted to stay away from camo green or navy blue… Instead I initially picked a teal shot with black taffeta, but when going through my stash of small silks, I picked out some fabric left over from a dress I made.
The main fabric is a subtle purple and grey thread stripe, and the lining is a brighter solid pink-purple fine silk. I used the solid fabric to line the dress and add contrast piping and binding. I bought both from Dressew in Vancouver a few years back.
Completing the pattern
Because this hat would have a tip, I designed the pattern for it by measuring and analyzing the paper shape that I developed the pattern from. I drafted the pattern for the tip, and played with it along with the paper mock up to ensure it would fit the way I intended. When I had wired the buckram in the construction stage, I also traced off the shape, and found that they were very, very similar. (Which is good – it means the wire didn’t skew the shape much!)
Constructing the frame
Like the purple velvet hat, this one started by:
- Cutting out the buckram using the pattern and adding an overlap for the centre back seam.
- Stitching the centre back seam overlapping the buckram.
- Attached the wire to the lower edge of the band. Since I had learned my lesson on the purple velvet hat, I shaped my wire as I stitched.
- Cut the pattern out of buckram, tracing the edge and adding a seam allowance.
- Shaped the wire along the traced edge before stitching it on.
- Overcast stitched the wire along the traced edge.
- Clipped the seam allowance to the wire, and folded the edges of the buckram so they would go over the band of the hat
- Stitched the tabs of the tip down to the band, with the wired edge of the tip inside the hat.
- Covered the corner where the tip met the band with wide bias trim to soften the edges.
Adding fabric to the hat
- Cut the tip and band out of fusible interfacing (mostly to support the fine silk) fused it to the silk, and cut it out with seam allowances.
- Stitched the tip fabric down over the tip of the frame, in the same method I did on the Red Silk Pillbox.
- Cut out the lining using the pattern pieces, and hand-stitched them together. With a few little stitches I secured the lining into the hat just because of the strange shape.
- Covered the band with white felt, using the pattern I had used for the buckram (no seam allowance). I did this largely to keep the silk very ‘flat’, rather than showing all the bumps of the stitching, wire, bias tape, etc, since the fabric is very fine.
- Made bias strips of the lining fabric and inserted cord to make piping. Basted the piping flange to the felt at the top of the hat. With the piping, the hat will match the dress really well I think!
- Pressed the top edge down on the band fabric, then stitched the centre back seam and re-pressed at the seam. (I find with such a small piece it’s easier to press the majority when it’s flat rather than when it’s already sewn together.) I stitched the back centre seam by hand, and once I was finished with the hat, I really think I should have done it by machine instead, because the stitches are a bit too visible for my liking.
- Pulled the band fabric over the felt and slip stitched the band to the tip fabric through the piping with tiny invisible stitches.
- Basted the lining and outside fabric to the hat edge at the bottom of the band, pulling the fashion fabric inside the hat.
- Made bias strips of the fashion fabric to trim the bottom edge of the brim. Stitched on the outside first right sides together, then turned it and slip-stitched it on the inside.
Finishing and trimming the hat
I loosely measured, and then did a series of S-curves with the iron – some of them very tight to get the shape of the ribbon to fit in the hat. Ultimately it’s not perfect, but the result is really good and I’m happy with it. I think I’m much more happy with it than if I had done all of the tiny darts.
Trimming the hat
In class, the instructor had suggested a large (tall) feather on the centre back. There was a green feather pad in her collection that worked for me, but for the colour. At home I made my own feather pad with a similar shape (using some scrap buckram, covered in black felt on both sides, then selecting feathers and gluing them on. I would have used regular white glue, but I have no idea where my glue is right now with the renovations, so I used a low-temp hot glue gun instead.)I held the feather pad up against the hat and I knew that I’d need to cover the end of the feather. I started off with a filigree motif grouping from Michael’s Bezels Frames and Filigree collection – a silver grouping that suggested a flower. I didn’t really like the feather at all. It just was… wrong.
So… off went the feather, and instead I gathered up some black French/Russian veil material, and fussed with it for a while, finally attaching it to the centre back of the hat with the silver filigree over it where it was gathered. Both were sewn on, not glued.