Pyrography bling box – Italian Renaissance

Italian Renaissance themed Pyrography box

Italian Renaissance themed Pyrography box

After my first round of wood-burned bling boxes, I decided I really wanted to make more – one for each of the costumes I currently have to hold small things like jewellery, belts, etc. I also decided it would be a good idea to decorate not just the lids of the boxes, but also the fronts – so when I stack them on a shelf, I can tell what is in each at a glance.

One of the costumes that has quite a bit of jewellery is my Italian Renaissance costumes. This includes the red and gold striped dress (Gamurra), the gold and black over dress (giornea), the red and gold overdress, the green dress, and the teal velvet overdress to start with… with plans for a few more elements to come…  Continue reading

Red & gold Giornea – HSM June 2017

Selfie in my new red and gold Italian over dress. This is my very late submission to the June 2017 Historical Sew Monthly (worn over mundane clothing).

Selfie in my new red and gold Italian over dress (worn over mundane clothing).

For Caterina’s elevation nearly a year ago I wanted to make a Giornea – and overdress for the Italian Renaissance costume not unlike my previous Giornea. However, this time I wanted to try a different style, with an open front rather than open sides. I thought that this would be flattering, and would nicely show off the green silk under dress (Gamurra).

Laying out the pieces for the overdress (Giornea)

Laying out the pieces for the overdress

I drafted the pattern based off my new Gamurra draft for the bodice, and used simple trapezoids for the skirt. No drafting there…

I did a mock up in a gorgeous gold and red brocade home decorating fabric. I bought this at the Grandmother’s Fabric Sale a while ago, and adored it, but it was only about 2 meters… I didn’t think I’d be able to find anything to make out of it…. but this worked out reasonably well. I wish I had more fullness for the skirt – but I hoped it would still be a wearable mock-up / toile. (I usually like to do mock-ups out of fabric that would make a wearable garment if the mock-up works out…)

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Historical Sew Monthly December 2016

Complete "celebration" Italian outfit including the padded roll hat, teal figured velvet overdress, and green silk underdress with sleeves

Complete “celebration” Italian outfit including the padded roll hat, teal figured velvet overdress, and green silk underdress with sleeves

The Challenge: December – Special Occasion: make something for a special event or a specific occasion, or that would have been worn to special event or specific occasion historically.

This project was started in the summer when it was announced that my SCA friend Caterina would be elevated to the Order of the Laurel (the highest honour and responsibility in Arts & Sciences). I finished the final touches on this costume RIGHT before her elevation on November 5th, making it timed perfectly for the December HSM challenge.

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Celebration – hairpiece

Complete "celebration" Italian outfit including the padded roll hat, teal figured velvet overdress, and green silk underdress with sleeves

Complete “celebration” Italian outfit including the padded roll hat, teal figured velvet overdress, and green silk underdress with sleeves

You may have noticed from my posts about the “Celebration” Italian outfit, that I also had a hairpiece – since my own hair is not down past my waist!

For this I looked at my inspiration image, as well as a bunch of other images – many of which show a LONG ponytail, in sort of a ‘casing’, with a bit of adornment (ribbon, pearls, etc).

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Celebration – headwear

Complete "celebration" Italian outfit including the padded roll hat, teal figured velvet overdress, and green silk underdress with sleeves

Complete “celebration” Italian outfit including the padded roll hat, teal figured velvet overdress, and green silk underdress with sleeves

To top off (ha ha) my new Italian Renaissance costume, I needed headwear. I looked at a few different options:

  • I could use the Reta I already made – it fits well and is correct for the outfit I’m making.
  • I can go without any headwear at all – many of the portraits show women without headwear.
  • I could finish off the netted headdress I started, which is about half done, with the most challenging parts done.. but it’s rather unimpressive….
  • I could try something new and totally different…. which would require drafting a new pattern and starting from scratch…

.. so of COURSE with 2 weeks to go before the event, and NONE of the garments completed yet, I opted to go for the fourth option.

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